After the End of Point-of-View

Last week I went to an event in London organised by the people behind the White Review: a panel discussion featuring Rachel Cusk, Sheila Heti, and Lara Feigel, on the topic of “Writing Motherhood.” I was struck by most of the things said by Cusk, in particular, and especially one remark she made and prefaced with “We haven’t spoken about literary form yet,” so she could open the doors to a discussion of form. What she wanted to say was this: “Point-of-view fiction has led the novel into a carpark full of overflowing skips, or some such un-aesthetic place.” That’s a slight paraphrase, but the key words were actually spoken by Cusk: “point-of-view,” “carpark,” “skips,” “un-aesthetic” or “not very aesthetic.” Continue reading