Shortlisted for the Miles Franklin Literary Award 2021
The Sydney Morning Herald/The Age ‘Pick of the Week’ for 14-15 November 2020
An Australian Book Review Book of the Year for 2020
- Purchase a copy through Amazon, Book Depository, or Brio Books.
- Read my essay on the ethical compromises of first-person narrative in Areo.
- Read my research notes at Necessary Fiction.
- Read my overview of what I was reading during the redrafting process at Meanjin.
- Watch my conversation with Anna MacDonald, at the online launch of the novel, or read a transcript of our discussion.
Praise for At the Edge of the Solid World
There are, in a sense, many books in this single work, and their merging is gainful, like an alloy whose molten components are improved through complexity. … At the Edge of the Solid World is an unapologetically demanding work. It challenges readers in terms of both form and content: facing its graphic catalogue of violence, keeping account of its many moving parts, reckoning with its philosophical deadlocks, and, at the end of a reading session, escaping its obsessive hold. Most extraordinary is Davis Wood’s ability to blur the boundaries between narratives until, from their yielding, edgeless form, emerges a new shape.— Naama Grey-Smith, The Australian Book Review (print and podcast)
Daniel Davis Wood is one of those surprisingly rare writers whose prose style and powers of observation do justice to each other. … One of the best things about this novel is the way it makes us think about the relationship between personal tragedies and human catastrophes on a grand scale.— Kerryn Goldsworthy, The Sydney Morning Herald and The Age
Utterly original… a detailed study in grief and empathy. This beautifully written novel places individual and personal human grief in the context of various massive-scale real-life tragedies, tacitly making the argument that the former is not diminished by the latter.— Australian Book Review Books of the Year
This novel does not bend to easy summation. On the surface it is about a man crippled by grief after the death of his newborn. But where other novels might cleave to a story of domestic drama — indeed his marriage does disintegrate — this one cleverly plumbs his inner world as he searches to understand this grief within the limitations of language and shared experience. … The narrator’s peripatetic mind investigates historical figures who’ve also grappled with loss and displacement, and the reader must tussle with the overlay of meanings this intellectually sophisticated novel animates.— Sarah L’Estrange, ABC Arts
A significant literary achievement. … A powerful and deeply intelligent novel that probes the extremes of human experience, a text about which you’ll be thinking for a long time to come.— Jeff Sparrow, The Saturday Paper
An ornate emotional vivisection… [The] chapters become intricately calibrated collisions, collapses in space and time… marvels of narrative engineering.— Beejay Silcox, The Australian
A beautiful, formally ambitious and wrenching book about mourning and empathy — a wonderful follow-up to Blood and Bone.— Adam Rivett, The Monthly
An artful portrayal of strong emotion, and of the functions and limitations of various kinds of empathy…— Shannon Burns
Beautifully written, delving into grief and the way it fractures people’s lives…— Michael Livingston, Goodreads