Shortlisted for the Miles Franklin Literary Award 2021
The Sydney Morning Herald/The Age ‘Pick of the Week’ for 14-15 November 2020
An Australian Book Review Book of the Year for 2020
- Purchase a copy through Amazon, Book Depository, or Brio Books.
- Read my essay on the ethical compromises of first-person narrative in Areo.
- Read my research notes at Necessary Fiction.
- Read my overview of what I was reading during the redrafting process at Meanjin.
- Watch my conversation with Anna MacDonald, at the online launch of the novel, or read a transcript of our discussion.
Praise for At the Edge of the Solid World
There are, in a sense, many books in this single work, and their merging is gainful, like an alloy whose molten components are improved through complexity. … At the Edge of the Solid World is an unapologetically demanding work. It challenges readers in terms of both form and content: facing its graphic catalogue of violence, keeping account of its many moving parts, reckoning with its philosophical deadlocks, and, at the end of a reading session, escaping its obsessive hold. Most extraordinary is Davis Wood’s ability to blur the boundaries between narratives until, from their yielding, edgeless form, emerges a new shape.
— Naama Grey-Smith, The Australian Book Review (print and podcast)
Daniel Davis Wood is one of those surprisingly rare writers whose prose style and powers of observation do justice to each other. … One of the best things about this novel is the way it makes us think about the relationship between personal tragedies and human catastrophes on a grand scale.
— Kerryn Goldsworthy, The Sydney Morning Herald and The Age
Utterly original… a detailed study in grief and empathy. This beautifully written novel places individual and personal human grief in the context of various massive-scale real-life tragedies, tacitly making the argument that the former is not diminished by the latter.
— Australian Book Review Books of the Year
This novel does not bend to easy summation. On the surface it is about a man crippled by grief after the death of his newborn. But where other novels might cleave to a story of domestic drama — indeed his marriage does disintegrate — this one cleverly plumbs his inner world as he searches to understand this grief within the limitations of language and shared experience. … The narrator’s peripatetic mind investigates historical figures who’ve also grappled with loss and displacement, and the reader must tussle with the overlay of meanings this intellectually sophisticated novel animates.
— Sarah L’Estrange, ABC Arts
A significant literary achievement. … A powerful and deeply intelligent novel that probes the extremes of human experience, a text about which you’ll be thinking for a long time to come.
— Jeff Sparrow, The Saturday Paper
An ornate emotional vivisection… [The] chapters become intricately calibrated collisions, collapses in space and time… marvels of narrative engineering.
— Beejay Silcox, The Australian
A beautiful, formally ambitious and wrenching book about mourning and empathy — a wonderful follow-up to Blood and Bone.
— Adam Rivett, The Monthly
An artful portrayal of strong emotion, and of the functions and limitations of various kinds of empathy…
— Shannon Burns
Beautifully written, delving into grief and the way it fractures people’s lives…
— Michael Livingston, Goodreads
