My monograph, Frontier Justice in the Novels of James Fenimore Cooper and Cormac McCarthy was published by Cambridge Scholars Press in 2016.
For a limited time, you can purchase the book directly from the publisher for only £15, down from the regular price of £47.99. To get the discount, visit the publisher’s website and add the book to your cart, then use this discount code when you check out: a16c12
- Read the Introduction and beginning of Part I.
- Read the preview at Google Books.
- To request a free review copy in PDF format, email me at danieldaviswood [at] gmail [dot] com.
Frontier Justice focuses on two of the most celebrated and influential writers of the American West. Both have written powerful narratives that focus on the disappearance of the nineteenth century frontier, and both show an interest in the dramatic ways in which the frontier gave shape to American culture. But is it possible that the kinship between these two writers extends beyond simply sharing an interest in this subject? Teasing out the implications of the recurrent allusions to Cooper’s Leatherstocking Tales in the pages of McCarthy’s Southwestern novels, Frontier Justice finds Cooper and McCarthy engaged in a complex legal and ethical dialogue despite the centuries that separate their lives and their work. The result of their dialogue is a provocative, nuanced analysis of the effects of the frontier on the American justice system — and, for both writers, an expression of alarm at the violation of the principles upon which the system was established.
Frontier Justice is a revised version of my doctoral dissertation, which received praise from some of the foremost scholars specialising in the work of Cooper and McCarthy:
[Frontier Justice] impresses in its prodigious groundwork and its meticulous attention to the literary and critical appraisals of both Cooper and McCarthy. It is an excellent starting point for a discussion of American popular culture and literature in the nineteenth and twentieth centuries, and of the continued existence of the frontier myth and its place in American jurisprudence. It provides a significant contribution to James Fenimore Cooper and Cormac McCarthy scholarship, developing a valuable resource for future scholars of the works of both these authors.
— Signe O. Wegener
author of James Fenimore Cooper Versus the Cult of Domesticity
[Frontier Justice] is a remarkable accomplishment, affirming the historical value of artistic expression and literary criticism as an enlightened instrument of ethics. It offers a new understanding of Cooper’s continuing significance [and his attempts to] constitute an American myth around a principle of justice that is at once arcane and globally significance. It also illuminates an ongoing debate in McCarthy studies, confirming that McCarthy’s work is centered on a deep sense that the ethical sphere is worth seeking and, through art, preserving.
— Steven Frye
author of Understanding Cormac McCarthy