Under the Sway of the Cinematic Imagination

John Freeman, the current editor of Granta, published an essay in last Saturday’s Age that attempted both to commemorate the tenth anniversary of “9/11” and to assess the impact of 9/11 on American literature. It’s a stunning piece of critical oversimplification, beginning with the most reductive possible reading of some unfathomably complex novels: Continue reading

Reports of the Death of Fiction Have Been Greatly Exaggerated

Fiction isn’t dead or dying, and neither is the literary magazine. Maybe the academic model for supporting it is, but that’s a wholly different thing. Instead of pining for the glory days, maybe we should instead turn our attention to the great independent literary magazines, whose futures are dependent on readers, not university decisions: Try Unsaid or Hobart or Barrelhouse or New York Tyrant or Keyhole or Annalemma or any of the other great online and print magazines out there. The people editing these magazines and publishing them without drawing a salary or having institutional funding have already shown the importance they personally put on the publishing of new fiction, and their contribution to the literary community is consistently ignored by academics writing articles like this one.

So says Matt Bell in response to the debate recently opened by Ted Genoways of the Virginia Quarterly Review, which has been unfolding online for a couple of weeks now.  Continue reading