A Marked Man

I once knew a man who went into the hospital to have a little lump cut out of his neck. He put my hand on it, on that silly little lump, and we laughed about how we could exaggerate its seriousness and get him a couple of weeks off work, to go on a holiday together. The lump was examined, but further surgery was cancelled because there were so many, many other lumps that were discovered. The verdict was that any operation would be useless. All of a sudden, he was a marked man. … When I went to see him he stared at me in nearly witless anger, he could not hide it. It was all through him, they said.

Alice Munro
‘What Do You Want to Know For?’

Sophistication

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun. He shivers and looks eagerly about. The eighteen years he has lived seem but a moment, a breathing space in the long march of humanity. Already he hears death calling. With all his heart he wants to come close to some other human, touch someone with his hands, be touched by the hand of another. If he prefers that the other be a woman, that is because he believes that a woman will be gentle, that she will understand. He wants, most of all, understanding.

Sherwood Anderson
Winesburg, Ohio

Disinterested in Only the Fireworks

The hard part in writing a narrative of someone’s life is choosing from the abundance of details and microevents, all of them equally significant, or equally insignificant. If one elects to include only the important events: the births, the deaths, the loves, the humiliations, the uprisings, the ends and the beginnings, one denies the real substance of life: the ephemera, the nethermoments, much too small to be recorded (the train pulling into the station where there is nobody; a spider sliding down an invisible rope and landing on the floor just in time to be stepped on; a pigeon looking straight into your eyes; a tender hiccup of the person standing in front of you in line for bread; an unintelligible word muttered by a one-night stand, sleeping naked and nameless next to you). But you cannot simply list all the moments when the world tickles your senses, only to seep away between your fingers and eyelashes, leaving you alone to tell the story of your life to an audience interested only in the fireworks of universal experiences, the roller coaster rides of sympathy and judgment.

Aleksandar Hemon
Nowhere Man

Eyes Open, Eyes Closed

Something woke him in the small hours of the morning. Things moving in the dark. He took his flashlight and trained it out along the trees until it ghosted away in the dark fields downriver. He swept it toward the woods and back again. A dozen hot eyes watched, paired and random in the night.

He held the light above his head to try and see the shapes beyond but nothing showed save eyes. Blinking on and off, or eclipsing and reappearing as heads were turned. They were none the same height and he tried his memory for anything that came in such random sizes. Then a pair of eyes ascended vertically some five feet and another pair sank slowly to the ground. Weird dwarfs with amaurotic eyeballs out there in the dark on a seesaw sidesaddle. Others began to raise and lower.

Cows. He agreed with himself: it is cows. He switched off the flashlight and lay back. He could smell them now on the cool upriver wind, sweet odor of grass and milk. The damp air was weighted with all manner of fragrance. You can see it in a dog’s eyes that he is sorting such things as he tests the wind and Suttree could smell the water in the river and the dew in the grass and the wet shale of the bluff. It was overcast and there were no stars to plague him with their mysteries of space and time. He closed his eyes.

Cormac McCarthy
Suttree

Meeting a Hermit

I found in one of my rambles up the hills a real hermit, living in a lonesome spot, hard to get at, rocky, the view fine, with a little patch of land two rods square. A man of youngish middle age, city born and raised, had been to school, had travel’d in Europe and California. I first met him once or twice on the road, and pass’d the time of day, with some small talk; then, the third time, he ask’d me to go along a bit and rest in his hut (an almost unprecedented compliment, as I heard from others afterwards). He was of Quaker stock, I think; talk’d with ease and moderate freedom, but did not unbosom his life, or story, or tragedy, or whatever it was.

Walt Whitman
Specimen Days