The Boys Who Wouldn’t Grow Up (3)

Continued from the previous post.

Seamus Heaney, "New Selected Poems 1966-1987"When placed in the company of Betjeman and Larkin, Heaney joins the conversation from a bit of a distance. Love is rarely a subject he sees fit for exploration. The embarrassments and frustrations of lust are not the concerns of his best-known work. More celebrated are poems like ‘Mid-Term Break’ (1966) and ‘Limbo’ (1972), both of which punctuate the quietude of life in rural Ireland with shocking irruptions of death. More compelling are the haunting ‘Follower’ (1966) and ‘District and Circle’ (2006), both of which detail Heaney’s disquieting relationship with his father. More eloquent are Heaney’s sporadic, almost impulsive disclosures of his mystical sentiments — disclosures like those made in section xxii of ‘Settings’ (1991) or in the oblique rhetorical question that appears as a non sequitur between two descriptions of a badger in ‘Badgers’ (1979): “How perilous is it to choose / not to love the life we’re shown?” Continue reading The Boys Who Wouldn’t Grow Up (3)

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