The Mathematics of Madness

“Madness” and “insanity” are the words most often deployed in descriptions of Hilda Hilst’s enigmatic novella, With My Dog-Eyes. It gives voice to “a mind unravelling,” writes Nick Lezard in The Guardian, “and through the gaps we see a horrified fascination with the body, a kind of carnal awareness of existential futility.” “[F]luid, shifting narration tells the story — if you can call it that — of mathematician and poet Amós Kéres’ descent into madness,” adds The Independent‘s Holly Williams, “mov[ing] rapidly between first person present tense, recalled memories, reported speech, and chunks of poetry; between absurdism, theory, fable and filth.” The novel “reads like a long poem,” Juan Vidal concurs in his review for NPR, “with utter insanity pervading each and every page. The vivid, disjointed prose mirrors the troubled mind of our protagonist… an expert in pure mathematics who is losing his grasp on reality.”

For me, however, the most captivating quality of With My Dog-Eyes is not the way in which Kéres’ burgeoning insanity leads his representations of events to become increasingly disjointed. That sort of thing has been done often enough before that it no longer bears remarking on. More captivating here is the way in which the novel’s structure projects a mind so fundamentally, inflexibly logical — so absolutely committed to mathematics — that when his reality begins to lose its logical underpinnings, when he ceases to grasp the causal connections between sequential experiences, Kéres mounts a resistance to insanity by seeking refuge in mathematical logic and marshalling his experiences into a form that follows its rules. Although this choice of form is to some extent suggestive of Kéres’ insanity, I was struck by how it also suggests his striving for coherence in the face of insanity — albeit a coherence that may likewise appear to be tainted by insanity insofar as the structure beneath the novella’s narrative surface is built upon an alternative to narrative logic. Continue reading The Mathematics of Madness

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