Minor Notes on Much Ado About Nothing

This year has been for me, in a sense, the year of Much Ado About Nothing. Back in November, I began helping a couple of colleagues to direct our students in a performance of the play. We spent November and December closely reading the text, then we spent January and February intensively preparing for the stage. We also paid careful attention to both Kenneth Branagh’s 1993 film adaptation and the 2011 West End production starring David Tennant as Benedick and Catherine Tate as Beatrice. And although we pulled the trigger too soon to catch Joss Whedon’s more recent take on Shakespeare’s material, I saw his Much Ado when it hit cinemas this summer and I’m convinced that it is the best of all those I have seen. It could have just as easily gone the other way. Whedon shot the film in only twelve days, while in the middle of post-production on The Avengers, using his own house as the set and restricting himself to a grainy monochrome palette. It could have been a sloppy, rushed, underdeveloped mess. But it isn’t. Why not? Continue reading Minor Notes on Much Ado About Nothing

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