Still Trying to Make Sense of the Trauma

The texts’ narrative amorphousness and mixed media — what Randall calls “hybrid forms” (3) and what Daniel Davis Wood calls a revival of the avant-garde nouveau Roman post WWII European postmodernism — clearly represent the unsure approach to new ways to make sense of the trauma. The canon of such experimental 9/11 fiction is continually being set by cultural and literary critics.

My remarks on the rebirth of the nouveau roman cited in an MA thesis by Brian J. Phelps.

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