Fumbling for Exactitude

He expected people to make fun of, ridicule him. He expected people nowhere near his equal in stature or accomplishment or wit or anything else, to be capable of making him appear ridiculous. That was why he worked so laboriously and tediously and indefatigably at everything he wrote. It was as if he said to himself: ‘This anyway will, shall, must be invulnerable.’ It was as though he wrote not even out of the consuming unsleeping appeaseless thirst for glory for which any normal artist would destroy his aged mother, but for what to him was more important and urgent: not even for mere truth, but for purity, the exactitude of purity. … His was that fumbling for exactitude, the exact word and phrase within the limited scope of a vocabulary controlled and even repressed by what was in him almost a fetish of simplicity, to milk them both dry, to seek always to penetrate to thought’s uttermost end.

William Faulkner,
on Sherwood Anderson

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