Aside

A Perceptive Diagnosis

Bereft of intellectual or cultural stimulation, they proceed, as minds devouring themselves, to fixate on every sort of insignificance and absurdity, ranting giddily about how awful life is in voices that shriek with loathing and despair.

That’s Cameron Woodhead, writing the capsule reviews in today’s The Age, issuing an off-the-cuff but strikingly perceptive diagnosis of what tends to ail the characters of Thomas Bernhard. I would have used “howl” rather than “shriek” — I don’t sense a lot of hysteria or histrionics in their lamentations; I sense self-awareness and knowing purpose — but, with only two hundred words in which to offer a verdict on Bernhard’s Prose, Woodhead does a remarkably good job of pinpointing the unifying element of Bernhard’s entire oeuvre.

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